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It is an example of Romanesque art, with essential and severe lines.
Chiesa di San Michele Arcangelo的点评
点评：The church of S. Michele, mentioned in a document from 1178, is one of the few churches that has kept its original architectural design unchanged, dating back to between the end of the 12th century and the beginning of the 13th century.
Located right off the bery central and popular Via Pretoria, it is an example of Romanesque art, with essential and severe lines.
It stands simple and bare in the midst of alleys and old buildings of the medieval neighborhood.
The main gabled façade, with two orders and four zones, separated by pilasters, is characterized by the use of "pietra viva" (solid rock), a particular type of masonry that provides a valuable chromatic uniformity.
The entrance consists of a stone portal, with a double doorframe and two round arches, surmounted by a large window.
In the center of the right wall there is the side entrance with a stone portal decorated with a bas-relief depicting a "Madonna with Child" in the lunette above, with a Franciscan coat of arms on the right and a floral motif on the left.
The interior has three naves with three apses marked by twelve square pillars that support round arches.
The naves have the ceiling covered by wooden trusses and are illuminated by small double-splayed windows.
Inside the church preserves works of artistic value such as the canvas "The Annunciation" (1612) by Giovanni de Gregorio, known as "Il Pietrafesa" , and the canvas "Madonna of the Rosary and Mysteries" by the painter Antonio Stabile from Potenza, 1576. The painting, which is divided into two orders, presents in the upper register the Madonna and Child offering the rosary to Saint Dominic and Saint Thomas Aquinas, while in the lower register there are fifteen scenes with the representation of the Mysteries. The date of execution dates back to around 1576-77.
Against the wall of the left side nave is the valuable and beauriful wooden altar of St. Anthony composed of a cymatium, four side paintings depicting St. Gerard, St. Francis of Paola, St. Vitus and St. Francis Xavier and by the central niche which houses the wooden statue of Saint Anthony from the 18th century.
Noteworthy is also a 16th century canvas depicting Madonna and Child with Saints Peter and Paul, by Teodoro D'Errico, pseudonym of the Dutch painter Dirk Hendricksz (1574-1618).
On the main altar there is a polychrome wooden crucifix by an unknown artist from southern Italy. Finally, the right apse preserves the wooden sculpture of "St Michael the Archangel" by local artists from the first half of the 18th century.
The church is very quiet and there is a vibe of great spirituality, to which some techno and house music, played at full volume from a wine bar with DJ in the adjacent small square, creates a violent and disappointing contrast.
Recommended
Located right off the bery central and popular Via Pretoria, it is an example of Romanesque art, with essential and severe lines.
It stands simple and bare in the midst of alleys and old buildings of the medieval neighborhood.
The main gabled façade, with two orders and four zones, separated by pilasters, is characterized by the use of "pietra viva" (solid rock), a particular type of masonry that provides a valuable chromatic uniformity.
The entrance consists of a stone portal, with a double doorframe and two round arches, surmounted by a large window.
In the center of the right wall there is the side entrance with a stone portal decorated with a bas-relief depicting a "Madonna with Child" in the lunette above, with a Franciscan coat of arms on the right and a floral motif on the left.
The interior has three naves with three apses marked by twelve square pillars that support round arches.
The naves have the ceiling covered by wooden trusses and are illuminated by small double-splayed windows.
Inside the church preserves works of artistic value such as the canvas "The Annunciation" (1612) by Giovanni de Gregorio, known as "Il Pietrafesa" , and the canvas "Madonna of the Rosary and Mysteries" by the painter Antonio Stabile from Potenza, 1576. The painting, which is divided into two orders, presents in the upper register the Madonna and Child offering the rosary to Saint Dominic and Saint Thomas Aquinas, while in the lower register there are fifteen scenes with the representation of the Mysteries. The date of execution dates back to around 1576-77.
Against the wall of the left side nave is the valuable and beauriful wooden altar of St. Anthony composed of a cymatium, four side paintings depicting St. Gerard, St. Francis of Paola, St. Vitus and St. Francis Xavier and by the central niche which houses the wooden statue of Saint Anthony from the 18th century.
Noteworthy is also a 16th century canvas depicting Madonna and Child with Saints Peter and Paul, by Teodoro D'Errico, pseudonym of the Dutch painter Dirk Hendricksz (1574-1618).
On the main altar there is a polychrome wooden crucifix by an unknown artist from southern Italy. Finally, the right apse preserves the wooden sculpture of "St Michael the Archangel" by local artists from the first half of the 18th century.
The church is very quiet and there is a vibe of great spirituality, to which some techno and house music, played at full volume from a wine bar with DJ in the adjacent small square, creates a violent and disappointing contrast.
Recommended
翻译：1178 年的一份文件中提到的圣米歇尔教堂是少数保持其原始建筑设计不变的教堂之一，其历史可以追溯到 12 世纪末至 13 世纪初。
它位于贝里市中心和受欢迎的比勒陀利亚大街附近，是罗马式艺术的典范，线条简洁而严谨。
它简单而光秃秃地矗立在中世纪街区的小巷和古老建筑之中。
主山墙立面有两个阶次和四个区域，由壁柱隔开，其特点是使用“pietra viva”（坚固的岩石），这是一种特殊类型的砌体，可提供有价值的色彩均匀性。
入口处有一个石门，有一个双门框和两个圆拱门，上面有一扇大窗户。
右墙中央有一个侧门，有一个石门，上面的半月板上饰有浅浮雕，描绘了“圣母与孩子”，右侧有方济各会徽章，左侧有花卉图案。
内部有三个中殿和三个后殿，十二根方柱支撑圆拱门。
中殿的天花板由木桁架覆盖，并由小型双开窗户照亮。
教堂内保存着具有艺术价值的作品，例如乔瓦尼·德·格雷戈里奥（Giovanni de Gregorio）的画布“天使报喜”（1612年），被称为“Il Pietrafesa”，以及来自波坦察的画家安东尼奥·斯塔比莱（Antonio Stabile）的画布“念珠和神秘的圣母”， 1576年。这幅画分为两个顺序，上半部分描绘了圣母和圣子向圣多米尼克和圣托马斯·阿奎那献上念珠，而下半部分则有十五个描绘神秘事件的场景。执行日期可以追溯到 1576-77 年左右。
左侧中殿的墙上是珍贵而美丽的圣安东尼祭坛，祭坛由一个圆柱组成，四幅侧面画描绘了圣杰拉德、保拉的圣方济各、圣维特和圣方济各泽维尔，中央的壁龛里安放着 18 世纪的圣安东尼木制雕像。
值得注意的是一幅 16 世纪的画布，描绘了圣母子与圣彼得和保罗，由特奥多罗·德埃里科 (Teodoro D'Errico)（荷兰画家德克·亨德里克斯 (Dirk Hendricksz，1574-1618) 的笔名）创作。
主祭坛上有一个彩色木制十字架，由一位来自意大利南部的不知名艺术家创作。最后，右侧后殿保存着18世纪上半叶当地艺术家创作的木雕《大天使圣米迦勒》。
教堂非常安静，有一种伟大的灵性氛围，旁边的小广场上有 DJ 的酒吧以最大音量播放着一些 techno 和 house 音乐，形成了强烈而令人失望的对比。
受到推崇的
它位于贝里市中心和受欢迎的比勒陀利亚大街附近，是罗马式艺术的典范，线条简洁而严谨。
它简单而光秃秃地矗立在中世纪街区的小巷和古老建筑之中。
主山墙立面有两个阶次和四个区域，由壁柱隔开，其特点是使用“pietra viva”（坚固的岩石），这是一种特殊类型的砌体，可提供有价值的色彩均匀性。
入口处有一个石门，有一个双门框和两个圆拱门，上面有一扇大窗户。
右墙中央有一个侧门，有一个石门，上面的半月板上饰有浅浮雕，描绘了“圣母与孩子”，右侧有方济各会徽章，左侧有花卉图案。
内部有三个中殿和三个后殿，十二根方柱支撑圆拱门。
中殿的天花板由木桁架覆盖，并由小型双开窗户照亮。
教堂内保存着具有艺术价值的作品，例如乔瓦尼·德·格雷戈里奥（Giovanni de Gregorio）的画布“天使报喜”（1612年），被称为“Il Pietrafesa”，以及来自波坦察的画家安东尼奥·斯塔比莱（Antonio Stabile）的画布“念珠和神秘的圣母”， 1576年。这幅画分为两个顺序，上半部分描绘了圣母和圣子向圣多米尼克和圣托马斯·阿奎那献上念珠，而下半部分则有十五个描绘神秘事件的场景。执行日期可以追溯到 1576-77 年左右。
左侧中殿的墙上是珍贵而美丽的圣安东尼祭坛，祭坛由一个圆柱组成，四幅侧面画描绘了圣杰拉德、保拉的圣方济各、圣维特和圣方济各泽维尔，中央的壁龛里安放着 18 世纪的圣安东尼木制雕像。
值得注意的是一幅 16 世纪的画布，描绘了圣母子与圣彼得和保罗，由特奥多罗·德埃里科 (Teodoro D'Errico)（荷兰画家德克·亨德里克斯 (Dirk Hendricksz，1574-1618) 的笔名）创作。
主祭坛上有一个彩色木制十字架，由一位来自意大利南部的不知名艺术家创作。最后，右侧后殿保存着18世纪上半叶当地艺术家创作的木雕《大天使圣米迦勒》。
教堂非常安静，有一种伟大的灵性氛围，旁边的小广场上有 DJ 的酒吧以最大音量播放着一些 techno 和 house 音乐，形成了强烈而令人失望的对比。
受到推崇的
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