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Joanna J
Art? More like Alarm & Punishment Security First, Visitors Last
古代大师画廊的点评
点评：I've been to hundreds of museums around the world, but never—never—have I experienced such a spectacular masterclass in how not to run one. Whoever’s in charge here deserves a standing ovation... straight out the door. Truly next-level unprofessionalism, matched only by the delightfully robotic staff (clearly trained in the dark arts of passive-aggressive vigilance).
The collection? Absolutely stunning. The experience of viewing it? Practically impossible. Every five minutes someone triggers the alarm because—gasp—they leaned a tiny bit toward a painting, or their elbow dared to cross a barrier placed 40–50 cm from the artwork. And the irony? Most paintings are already behind glass, so unless someone headbutts the frame, they’re in no danger. Still, the staff swoop in like trained hawks, reprimanding everyone (kids in particular, even the quiet, art-loving, angelic kind), as if they’ve all come armed with sharpies and bad intentions.
And the temporary exhibition? Oh, don’t get me started. There are no barriers at all—just invisible alarm zones you’re expected to psychically detect. The siren goes off 2–3 times per minute, like a techno remix nobody asked for. Meanwhile, the staff dart around like bloodhounds chasing down criminals. It’s less ‘cultural experience’, more ‘stealth mission’.
I honestly hope the whole thing gets shut down. Here, you’re not a guest—you’re a suspect under surveillance. And spare me the ‘but it’s for security’ excuse—museums with far more valuable collections manage just fine without treating their visitors like art-thieving delinquents.
They’ve turned what could be a beautiful space into a tense, joyless, awkward tourist trap. The special exhibit is entirely forgettable, and families—especially families—should steer well clear. Trust me, any other museum will be a better idea.
The collection? Absolutely stunning. The experience of viewing it? Practically impossible. Every five minutes someone triggers the alarm because—gasp—they leaned a tiny bit toward a painting, or their elbow dared to cross a barrier placed 40–50 cm from the artwork. And the irony? Most paintings are already behind glass, so unless someone headbutts the frame, they’re in no danger. Still, the staff swoop in like trained hawks, reprimanding everyone (kids in particular, even the quiet, art-loving, angelic kind), as if they’ve all come armed with sharpies and bad intentions.
And the temporary exhibition? Oh, don’t get me started. There are no barriers at all—just invisible alarm zones you’re expected to psychically detect. The siren goes off 2–3 times per minute, like a techno remix nobody asked for. Meanwhile, the staff dart around like bloodhounds chasing down criminals. It’s less ‘cultural experience’, more ‘stealth mission’.
I honestly hope the whole thing gets shut down. Here, you’re not a guest—you’re a suspect under surveillance. And spare me the ‘but it’s for security’ excuse—museums with far more valuable collections manage just fine without treating their visitors like art-thieving delinquents.
They’ve turned what could be a beautiful space into a tense, joyless, awkward tourist trap. The special exhibit is entirely forgettable, and families—especially families—should steer well clear. Trust me, any other museum will be a better idea.
翻译：我去过世界各地数百家博物馆，但从未——从未——体验过如此精彩绝伦的大师班，学习如何不去经营博物馆。这里的负责人值得起立鼓掌……甚至直接在门口。这真是极度不专业，只有那些像机器人一样的工作人员（显然受过消极被动警惕的暗黑艺术训练）才能与之匹敌。
藏品？绝对令人惊叹。观展体验如何？几乎不可能。每隔五分钟就会有人触发警报，因为——天哪——他们稍微靠近了一幅画，或者他们的胳膊肘胆敢越过距离艺术品40到50厘米的屏障。讽刺的是？大多数画作都装在玻璃后面，所以除非有人用头撞到画框，否则不会有危险。然而，工作人员像训练有素的鹰一样俯冲下来，训斥每个人（尤其是孩子们，即使是安静、热爱艺术、像天使一样的孩子），仿佛他们都带着警棍和恶意。
临时展览呢？哦，别让我提了。根本没有任何屏障——只有隐形的警报区，需要你用心灵感应才能发现。警报器每分钟响两三次，就像一段没人要的电子混音。与此同时，工作人员像追捕罪犯的猎犬一样四处奔波。与其说是“文化体验”，不如说是“隐形任务”。
我真心希望这一切都停止。在这里，你不是客人——你是被监视的嫌疑人。别再用“但是为了安全”的借口了——那些藏品价值远超其他博物馆的博物馆，在不把游客当成偷艺术品的罪犯的情况下，也能管理得井井有条。
他们把原本应该很美的空间变成了一个紧张、乏味、尴尬的旅游陷阱。特别展览完全不值得一看，家庭——尤其是家庭——应该避开。相信我，其他任何博物馆都会更好。
藏品？绝对令人惊叹。观展体验如何？几乎不可能。每隔五分钟就会有人触发警报，因为——天哪——他们稍微靠近了一幅画，或者他们的胳膊肘胆敢越过距离艺术品40到50厘米的屏障。讽刺的是？大多数画作都装在玻璃后面，所以除非有人用头撞到画框，否则不会有危险。然而，工作人员像训练有素的鹰一样俯冲下来，训斥每个人（尤其是孩子们，即使是安静、热爱艺术、像天使一样的孩子），仿佛他们都带着警棍和恶意。
临时展览呢？哦，别让我提了。根本没有任何屏障——只有隐形的警报区，需要你用心灵感应才能发现。警报器每分钟响两三次，就像一段没人要的电子混音。与此同时，工作人员像追捕罪犯的猎犬一样四处奔波。与其说是“文化体验”，不如说是“隐形任务”。
我真心希望这一切都停止。在这里，你不是客人——你是被监视的嫌疑人。别再用“但是为了安全”的借口了——那些藏品价值远超其他博物馆的博物馆，在不把游客当成偷艺术品的罪犯的情况下，也能管理得井井有条。
他们把原本应该很美的空间变成了一个紧张、乏味、尴尬的旅游陷阱。特别展览完全不值得一看，家庭——尤其是家庭——应该避开。相信我，其他任何博物馆都会更好。
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