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Fascinating guided tour "Breakthroughs in the study of Bach"
Bach Museum的点评
点评：We had a guided tour "Meilensteine der Bach-Forschung", or in English "Breakthroughs in the study of Bach". Fascinating information about timestamping his compositions. New for me was that Bach produced a lot of new music in his initial five years, and that he experimented later with his own material over many years thereafter to repeatedly find out how it sounded with other (combinations of) instruments, dependent on available musicians and/or what was appropriate for the occasion.
Sort of recycling his own material, not unusual at the time. It is something we also have seen done by other composers, like Händel, although the latter had more commercial reasons for doing so, e.g. when a certain melody had proven to be successful earlier, and/or he was under time pressure to produce a new opera or oratorium.
Another important issue is that studying the handwriting of musical scores does not say anything about the original writer. Bach worked in a full score version, showing all parts below each other. This was actually the final product of his thinking. Following that, all parts had to be written out and copied many times for respective instruments and voices. It is obvious that Bach had many helpers within his family and his pupils. Several techniques were shown to distinguish copiists and timestamping the originals and copies that survived the centuries.
All in all, a fascinating tour and evenso fascinating research. I'm not sure, however, the audio tour also provides so much inside information. The guided tour we had was part of the Bach Fest 2025, and maybe not part of the regular offering of the Bach Museum. You'll have to ask around.
Sort of recycling his own material, not unusual at the time. It is something we also have seen done by other composers, like Händel, although the latter had more commercial reasons for doing so, e.g. when a certain melody had proven to be successful earlier, and/or he was under time pressure to produce a new opera or oratorium.
Another important issue is that studying the handwriting of musical scores does not say anything about the original writer. Bach worked in a full score version, showing all parts below each other. This was actually the final product of his thinking. Following that, all parts had to be written out and copied many times for respective instruments and voices. It is obvious that Bach had many helpers within his family and his pupils. Several techniques were shown to distinguish copiists and timestamping the originals and copies that survived the centuries.
All in all, a fascinating tour and evenso fascinating research. I'm not sure, however, the audio tour also provides so much inside information. The guided tour we had was part of the Bach Fest 2025, and maybe not part of the regular offering of the Bach Museum. You'll have to ask around.
翻译：我们参加了“巴赫研究的突破”（Meilensteine der Bach-Forschung）的导览游，英文名为“巴赫研究中的突破”（Bach Study in the Breakthroughs）。关于他作品的年代标记，信息非常有趣。对我来说，新奇之处在于巴赫在他最初的五年里创作了大量新音乐，之后的很多年里，他反复尝试用自己的作品创作，根据当时可用的音乐家和/或适合当时场合的乐器，反复探索与其他乐器（组合）的音色效果。
这有点像重复使用自己的作品，在当时并不罕见。我们也看到其他作曲家，比如亨德尔，也这样做，尽管亨德尔这样做有更多商业原因，例如，当某个旋律之前被证明很成功，或者他面临着创作新歌剧或清唱剧的时间压力。
另一个重要的问题是，研究乐谱的笔迹并不能说明原作者是谁。巴赫创作的是完整的乐谱版本，所有声部依次排列。这实际上是他最终的构思。之后，所有声部都必须根据各自的乐器和声部进行多次书写和复制。显然，巴赫的家人和学生中有很多助手。他展示了几种技术来区分抄写者，并在几个世纪以来流传下来的原件和复制品上打上时间戳。
总而言之，这是一次引人入胜的旅行，更令人着迷的研究。不过，我不确定语音导览是否也能提供这么多内部信息。我们参加的导览是2025巴赫节的一部分，可能不是巴赫博物馆的常规项目。你得四处打听一下。
这有点像重复使用自己的作品，在当时并不罕见。我们也看到其他作曲家，比如亨德尔，也这样做，尽管亨德尔这样做有更多商业原因，例如，当某个旋律之前被证明很成功，或者他面临着创作新歌剧或清唱剧的时间压力。
另一个重要的问题是，研究乐谱的笔迹并不能说明原作者是谁。巴赫创作的是完整的乐谱版本，所有声部依次排列。这实际上是他最终的构思。之后，所有声部都必须根据各自的乐器和声部进行多次书写和复制。显然，巴赫的家人和学生中有很多助手。他展示了几种技术来区分抄写者，并在几个世纪以来流传下来的原件和复制品上打上时间戳。
总而言之，这是一次引人入胜的旅行，更令人着迷的研究。不过，我不确定语音导览是否也能提供这么多内部信息。我们参加的导览是2025巴赫节的一部分，可能不是巴赫博物馆的常规项目。你得四处打听一下。
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