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Great evening at a live theatre event, in beautiful surroundings.
The Horton Arts Centre的点评
点评：We had a rare treat this evening: Live theatre The Horton Epsom, with 3 young friends. Drum, about two Ghanaians meeting in 1960s London, was written by Jacob Roberts-Mensah. The play is inspired by the real-life encounter between acclaimed photographer James Barnor and broadcaster Mike Eghan at BBC Broadcasting House. (thanks AI).
We are two White British pensioners. We took three young siblings, 11, 15, 20 & just graduated); They are First Generation born British, of Ghanaian parents. I wanted to share this play with them.
We loved the play, but we are also old enough to remember the late, great Pan-African leader Kwame Nkruma; The young people had no experience of live theatre, and none of them has travelled abroad at all, let alone to Ghana.
All 5 of us thoroughly enjoyed the play: the synergy between the two protagonists was delicious, the humour genuine, the crux of the narrative compelling.
After the performance, all 3 of our guests chatted between themselves, all the way home: about the play; about parallels with their parents’ attitudes and values; about their own identities; about desire to travel, about not having any meaningful Ghanaian language, about aspiration, about live theatre versus TV drama or cinema.
DRUM delivered SO MUCH in that hour! We loved it, for many reasons. It comes highly recommended.
We are two White British pensioners. We took three young siblings, 11, 15, 20 & just graduated); They are First Generation born British, of Ghanaian parents. I wanted to share this play with them.
We loved the play, but we are also old enough to remember the late, great Pan-African leader Kwame Nkruma; The young people had no experience of live theatre, and none of them has travelled abroad at all, let alone to Ghana.
All 5 of us thoroughly enjoyed the play: the synergy between the two protagonists was delicious, the humour genuine, the crux of the narrative compelling.
After the performance, all 3 of our guests chatted between themselves, all the way home: about the play; about parallels with their parents’ attitudes and values; about their own identities; about desire to travel, about not having any meaningful Ghanaian language, about aspiration, about live theatre versus TV drama or cinema.
DRUM delivered SO MUCH in that hour! We loved it, for many reasons. It comes highly recommended.
翻译：今晚我们享受了难得的乐趣：和三位年轻朋友一起观看了现场戏剧《霍顿·埃普索姆》。《鼓》讲述了两位加纳人在20世纪60年代的伦敦相遇的故事，由雅各布·罗伯茨-门萨创作。该剧的灵感来源于著名摄影师詹姆斯·巴纳和播音员迈克·埃根在BBC广播大楼的真实遭遇。（感谢AI）。
我们是两位英国白人退休老人。我们带着三个年幼的兄弟姐妹，分别是11岁、15岁、20岁，刚刚毕业；他们是第一代在英国出生的加纳人，父母是加纳人。我想和他们分享这部戏剧。
我们很喜欢这部戏剧，但我们也足够成熟，可以缅怀已故的伟大的泛非领袖夸梅·恩克鲁马；这些年轻人没有现场戏剧表演的经验，他们中没有人出过国，更不用说去过加纳了。
我们五个人都非常喜欢这部剧：两位主角的默契配合令人愉悦，幽默感十足，故事的核心引人入胜。
演出结束后，我们三位嘉宾一路回家，聊着彼此的故事：聊着这部剧；聊着与父母的态度和价值观的相似之处；聊着自己的身份认同；聊着对旅行的渴望；聊着不懂任何有意义的加纳语；聊着自己的抱负；聊着现场戏剧与电视剧或电影的对比。
DRUM 在那一个小时里奉献了太多精彩！我们非常喜欢它，原因有很多。强烈推荐。
我们是两位英国白人退休老人。我们带着三个年幼的兄弟姐妹，分别是11岁、15岁、20岁，刚刚毕业；他们是第一代在英国出生的加纳人，父母是加纳人。我想和他们分享这部戏剧。
我们很喜欢这部戏剧，但我们也足够成熟，可以缅怀已故的伟大的泛非领袖夸梅·恩克鲁马；这些年轻人没有现场戏剧表演的经验，他们中没有人出过国，更不用说去过加纳了。
我们五个人都非常喜欢这部剧：两位主角的默契配合令人愉悦，幽默感十足，故事的核心引人入胜。
演出结束后，我们三位嘉宾一路回家，聊着彼此的故事：聊着这部剧；聊着与父母的态度和价值观的相似之处；聊着自己的身份认同；聊着对旅行的渴望；聊着不懂任何有意义的加纳语；聊着自己的抱负；聊着现场戏剧与电视剧或电影的对比。
DRUM 在那一个小时里奉献了太多精彩！我们非常喜欢它，原因有很多。强烈推荐。
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