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Om Maha Lakshmi Om Maha Saraswati
Harsiddhi Temple的点评
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This temple occupies a special place in the galaxy of ancient sacred spots of Ujjain. Seated between the idols of Mahalaxmi and Mahasaraswati, the idol of Annapurna is painted in dark vermilion color. The Sri Yantra, the symbol of power or shakti, is also enshrined in the temple.According to the Shiva Purana, when Shiva carried away the burning body of Sati from the sacrificial fire, her elbow dropped at this place. There is an interesting legend in the Skanda Purana about the manner in which the Goddess Chandi acquired the epithet of Harsiddhi. Once when Shiva and Parvati were alone on Mount Kailash, two demons Chand and Prachand tried to force their way in.Shiva called upon Chandi to destroy them which she did. Pleased, Shiva bestowed upon her the epithet of ‘one who vanquishes all’. The temple was reconstructed during the Maratha period and the two pillars adorned with lamps are special features of Maratha art. These lamps lit during Navaratri, present a glorious spectacle. There is an ancient well on the premises, and an artistic pillar adorns the top of it.
This temple occupies a special place in the galaxy of ancient sacred spots of Ujjain. Seated between the idols of Mahalaxmi and Mahasaraswati, the idol of Annapurna is painted in dark vermilion color. The Sri Yantra, the symbol of power or shakti, is also enshrined in the temple.According to the Shiva Purana, when Shiva carried away the burning body of Sati from the sacrificial fire, her elbow dropped at this place. There is an interesting legend in the Skanda Purana about the manner in which the Goddess Chandi acquired the epithet of Harsiddhi. Once when Shiva and Parvati were alone on Mount Kailash, two demons Chand and Prachand tried to force their way in.Shiva called upon Chandi to destroy them which she did. Pleased, Shiva bestowed upon her the epithet of ‘one who vanquishes all’. The temple was reconstructed during the Maratha period and the two pillars adorned with lamps are special features of Maratha art. These lamps lit during Navaratri, present a glorious spectacle. There is an ancient well on the premises, and an artistic pillar adorns the top of it.
翻译：
这座寺庙在乌贾因的众多古代圣地中占有特殊的地位。安纳普尔纳的雕像坐落在玛哈拉克西米和玛哈萨拉斯瓦蒂雕像之间，雕像涂成深朱红色。寺庙中还供奉着象征力量或沙克提的 Sri Yantra。根据《湿婆往世书》，当湿婆从祭祀之火中带走萨蒂燃烧的尸体时，她的手肘就落在了这个地方。《斯堪达往世书》中有一个关于女神旃蒂获得哈尔西迪称号的方式的有趣传说。有一次，当湿婆和帕尔瓦蒂独自在凯拉什山时，两个恶魔旃德和普拉昌德试图强行闯入。湿婆要求旃迪消灭他们，她照做了。湿婆很高兴，赐予她“征服一切的人”的称号。寺庙重建于马拉塔时期，两根饰有灯的柱子是马拉塔艺术的特色。这些灯在九夜节期间点亮，呈现出壮观的景象。寺庙内有一口古井，顶部装饰着一根艺术柱子。
这座寺庙在乌贾因的众多古代圣地中占有特殊的地位。安纳普尔纳的雕像坐落在玛哈拉克西米和玛哈萨拉斯瓦蒂雕像之间，雕像涂成深朱红色。寺庙中还供奉着象征力量或沙克提的 Sri Yantra。根据《湿婆往世书》，当湿婆从祭祀之火中带走萨蒂燃烧的尸体时，她的手肘就落在了这个地方。《斯堪达往世书》中有一个关于女神旃蒂获得哈尔西迪称号的方式的有趣传说。有一次，当湿婆和帕尔瓦蒂独自在凯拉什山时，两个恶魔旃德和普拉昌德试图强行闯入。湿婆要求旃迪消灭他们，她照做了。湿婆很高兴，赐予她“征服一切的人”的称号。寺庙重建于马拉塔时期，两根饰有灯的柱子是马拉塔艺术的特色。这些灯在九夜节期间点亮，呈现出壮观的景象。寺庙内有一口古井，顶部装饰着一根艺术柱子。
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