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Following its - long-delayed - restoration, we can now enjoy one of the most precious architectural works in Abruzzo.
Chiesa di San Pietro in Albe的点评
点评：There's online an old photo on the church of San Pietro in Albe, taken during the restoration begun in 1955.
As is known, this restoration began after the church, destroyed by the 1915 earthquake, had been abandoned for decades. The photo essentially depicts a field of ruins: we know that virtually only the compact perimeter walls of the "cella" of the pre-existing Temple of Apollo (3rd century BC) remained standing, on which the church had been built in the 12th century without substantial alterations. These walls, however, are not visible in the photo, while the columns — also of Roman origin — of the nave are clearly visible, lying on the ground, the subject of the restorers' work.
The restoration was therefore long and painstaking, but expertly executed. The website (in Italian), called "semisottolapietra", provides some essential information: the columns were hollowed out, the internal stone was replaced with iron reinforcements, which were anchored to the floor on one side and to the ceiling, the bell tower, and the apse on the other, forming a compact, earthquake-proof cage.
As for the splendid iconostasis and ambo (early 13th century), showing fabulous mosaic decorations and polychrome marble inlays, from the Roman Cosmati school: they had been severely damaged by the collapse of the vault and were carefully restored by the renowned "Opificio delle pietre dure" (Workshop of semiprecious stones) in Florence.
Art critic Cesare Brandi was able to write about this entire operation that it was "the best restoration ever carried out in Italy since the postwar period".
Thus, we can now enjoy a remarkable architectural and sculptural work, one of the most precious in Abruzzo.
As is known, this restoration began after the church, destroyed by the 1915 earthquake, had been abandoned for decades. The photo essentially depicts a field of ruins: we know that virtually only the compact perimeter walls of the "cella" of the pre-existing Temple of Apollo (3rd century BC) remained standing, on which the church had been built in the 12th century without substantial alterations. These walls, however, are not visible in the photo, while the columns — also of Roman origin — of the nave are clearly visible, lying on the ground, the subject of the restorers' work.
The restoration was therefore long and painstaking, but expertly executed. The website (in Italian), called "semisottolapietra", provides some essential information: the columns were hollowed out, the internal stone was replaced with iron reinforcements, which were anchored to the floor on one side and to the ceiling, the bell tower, and the apse on the other, forming a compact, earthquake-proof cage.
As for the splendid iconostasis and ambo (early 13th century), showing fabulous mosaic decorations and polychrome marble inlays, from the Roman Cosmati school: they had been severely damaged by the collapse of the vault and were carefully restored by the renowned "Opificio delle pietre dure" (Workshop of semiprecious stones) in Florence.
Art critic Cesare Brandi was able to write about this entire operation that it was "the best restoration ever carried out in Italy since the postwar period".
Thus, we can now enjoy a remarkable architectural and sculptural work, one of the most precious in Abruzzo.
翻译：网上有一张关于阿尔贝圣彼得教堂的老照片，拍摄于1955年开始的修复工程期间。
众所周知，这座教堂在1915年的地震中被摧毁，之后被废弃了数十年，修复工程才得以启动。照片中展现的是一片废墟：我们知道，当时仅存了公元前3世纪阿波罗神庙“内殿”（cella）紧凑的围墙，而这座教堂正是在12世纪于其上建造的，并未进行实质性的改动。然而，这些围墙在照片中已无法看到，而中殿的柱子——同样是罗马时期的——则清晰可见，它们横卧在地，成为修复者的工作对象。
因此，修复工程漫长而艰辛，但最终以精湛的技艺完成。这个名为“semisottolapietra”（意大利语）的网站提供了一些重要信息：教堂的柱子被掏空，内部的石材被铁质加固物取代，这些加固物一侧固定在地板上，另一侧固定在天花板、钟楼和后殿上，形成一个紧凑的抗震结构。
至于那座精美的圣像屏和讲道台（建于13世纪早期），其上装饰着精美的马赛克和彩色大理石镶嵌，出自罗马科斯马蒂学派：它们在拱顶坍塌时严重受损，后由佛罗伦萨著名的“Opificio delle pietre dure”（半宝石工坊）精心修复。
艺术评论家切萨雷·布兰迪曾盛赞此次修复工程，称其为“战后意大利最杰出的修复”。
因此，我们现在得以欣赏到这座非凡的建筑和雕塑杰作，它是阿布鲁佐地区最珍贵的文物之一。
众所周知，这座教堂在1915年的地震中被摧毁，之后被废弃了数十年，修复工程才得以启动。照片中展现的是一片废墟：我们知道，当时仅存了公元前3世纪阿波罗神庙“内殿”（cella）紧凑的围墙，而这座教堂正是在12世纪于其上建造的，并未进行实质性的改动。然而，这些围墙在照片中已无法看到，而中殿的柱子——同样是罗马时期的——则清晰可见，它们横卧在地，成为修复者的工作对象。
因此，修复工程漫长而艰辛，但最终以精湛的技艺完成。这个名为“semisottolapietra”（意大利语）的网站提供了一些重要信息：教堂的柱子被掏空，内部的石材被铁质加固物取代，这些加固物一侧固定在地板上，另一侧固定在天花板、钟楼和后殿上，形成一个紧凑的抗震结构。
至于那座精美的圣像屏和讲道台（建于13世纪早期），其上装饰着精美的马赛克和彩色大理石镶嵌，出自罗马科斯马蒂学派：它们在拱顶坍塌时严重受损，后由佛罗伦萨著名的“Opificio delle pietre dure”（半宝石工坊）精心修复。
艺术评论家切萨雷·布兰迪曾盛赞此次修复工程，称其为“战后意大利最杰出的修复”。
因此，我们现在得以欣赏到这座非凡的建筑和雕塑杰作，它是阿布鲁佐地区最珍贵的文物之一。
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