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A wonderful collection, poorly curated
National Institute of Archaeology with Museum的点评
点评：In many respects, this is one of the greatest archeological museums in Bulgaria, with outstanding collections of Roman and Hellenic artefacts. The treasury on the 2nd floor contains the most incredible collection of Thracian gold and silver that would be a crime to omit from any holiday itinerary.
However, the museum suffers from one very big fail, namely the lack of contextual information. Each item has a label and most have english versions but you have a sense of simply skipping from one display case to another with no clarity where items were found, what culture they belong to and little confidence how they are linked anthropologically, geographically or technically. This is a bizarre failure of curation, not only because it reduces a world standard collection to a cabinet of curiosities but also because most other similar museums in Bulgarian are assiduous in displaying contextual panels and meticulously ordering their items by era and culture.
However, the museum suffers from one very big fail, namely the lack of contextual information. Each item has a label and most have english versions but you have a sense of simply skipping from one display case to another with no clarity where items were found, what culture they belong to and little confidence how they are linked anthropologically, geographically or technically. This is a bizarre failure of curation, not only because it reduces a world standard collection to a cabinet of curiosities but also because most other similar museums in Bulgarian are assiduous in displaying contextual panels and meticulously ordering their items by era and culture.
翻译：从许多方面来看，这座博物馆都是保加利亚最伟大的考古博物馆之一，馆内收藏着数量惊人的罗马和希腊文物。二楼的宝库收藏着数量惊人的色雷斯金银器物，任何假期行程中都不容错过。
然而，博物馆有一个非常大的败笔，那就是缺乏背景信息。每件展品都有标签，大多数都有英文版本，但你感觉就像从一个展柜跳到另一个展柜，既不清楚它们在哪里被发现，属于哪种文化，也不清楚它们在人类学、地理学或技术层面上是如何联系在一起的。这是一个令人匪夷所思的策展失误，不仅因为它将一个世界级的藏品简化为一个珍奇柜，还因为保加利亚大多数其他类似的博物馆都煞费苦心地展示背景信息，并一丝不苟地按时代和文化对展品进行排序。
然而，博物馆有一个非常大的败笔，那就是缺乏背景信息。每件展品都有标签，大多数都有英文版本，但你感觉就像从一个展柜跳到另一个展柜，既不清楚它们在哪里被发现，属于哪种文化，也不清楚它们在人类学、地理学或技术层面上是如何联系在一起的。这是一个令人匪夷所思的策展失误，不仅因为它将一个世界级的藏品简化为一个珍奇柜，还因为保加利亚大多数其他类似的博物馆都煞费苦心地展示背景信息，并一丝不苟地按时代和文化对展品进行排序。
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