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Underwhelming
地中美术馆的点评
点评：The concept of developing Naoshima as an art centre is quite brilliant, It's a beautiful island in the unforgettable Inland Sea and many residents are very friendly. However, it seems like the elaboration of that concept is a bit lacking at times and that is, in my view, visible at this museum.
Firstly, the place is just very limited. There is one room focusing on Monet (nicely done with natural light), one arranged by Walter de Maria and three small spaces by another American artist, which were underwhelming. That's it. The conceptual connection between these artists is frankly unclear.
In addition, there are somehow rigid rules that detract from the experience: the fact that you cannot enter even slightly before the designated time, for example, or that one cannot take pictures. Why, will this damage the works? No, that has nothing to do with it. The real reason seems to be that you buy the postcards at the gift shop. And when communicating these rules, the staff can border on the impolite, making visitors feel unwelcome.
With all of the strengths of Naoshima and the architecture by Tadao Ando, in my view at least, something much better should be possible.
Here, I personally had the impression that those behind the museum have a feeling for hype and a love for commerce but little passion for art.
Firstly, the place is just very limited. There is one room focusing on Monet (nicely done with natural light), one arranged by Walter de Maria and three small spaces by another American artist, which were underwhelming. That's it. The conceptual connection between these artists is frankly unclear.
In addition, there are somehow rigid rules that detract from the experience: the fact that you cannot enter even slightly before the designated time, for example, or that one cannot take pictures. Why, will this damage the works? No, that has nothing to do with it. The real reason seems to be that you buy the postcards at the gift shop. And when communicating these rules, the staff can border on the impolite, making visitors feel unwelcome.
With all of the strengths of Naoshima and the architecture by Tadao Ando, in my view at least, something much better should be possible.
Here, I personally had the impression that those behind the museum have a feeling for hype and a love for commerce but little passion for art.
翻译：将直岛发展为艺术中心的想法非常出色，这是一个位于令人难忘的内海的美丽岛屿，许多居民都非常友好。然而，似乎有时对这一概念的阐述有些欠缺，在我看来，这在博物馆中很明显。
首先，这个地方非常有限。有一个房间专注于莫奈（自然光很好），一个由沃尔特·德·玛利亚布置的房间，还有三个由另一位美国艺术家布置的小空间，这些空间令人失望。就是这样。坦率地说，这些艺术家之间的概念联系并不明确。
此外，还有一些严格的规则会降低体验：例如，你不能在指定时间之前进入，或者不能拍照。为什么，这会损坏作品吗？不，这与此无关。真正的原因似乎是你在礼品店购买明信片。在传达这些规则时，工作人员可能会显得不礼貌，让游客感到不受欢迎。
在我看来，直岛的所有优点和安藤忠雄的建筑设计至少应该可以做得更好。
在这里，我个人的印象是，博物馆背后的人对炒作和商业的热爱很敏感，但对艺术却没有什么热情。
首先，这个地方非常有限。有一个房间专注于莫奈（自然光很好），一个由沃尔特·德·玛利亚布置的房间，还有三个由另一位美国艺术家布置的小空间，这些空间令人失望。就是这样。坦率地说，这些艺术家之间的概念联系并不明确。
此外，还有一些严格的规则会降低体验：例如，你不能在指定时间之前进入，或者不能拍照。为什么，这会损坏作品吗？不，这与此无关。真正的原因似乎是你在礼品店购买明信片。在传达这些规则时，工作人员可能会显得不礼貌，让游客感到不受欢迎。
在我看来，直岛的所有优点和安藤忠雄的建筑设计至少应该可以做得更好。
在这里，我个人的印象是，博物馆背后的人对炒作和商业的热爱很敏感，但对艺术却没有什么热情。
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