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Ancient structures with impressive architecture in need of loving conservation
Bessho Jinja的点评
点评：We walked again through tall trees to Bessho Jinja. The path started off well enough but soon became an exhausting climb up a steep ramp. Terminating, predictably, in yet another set of stone stairs.
At the top we found a gravel plaza with a big building off to the right, the Kaguraden Hall. It is set up to be some sort of stage and apparently still hosts musical events. The front wall is entirely open, the end walls closed, but the far long wall is carefully opened nearly the full width of the building and height of the wall to frame a view of the mountains and Shiodadaira. With insensitivity to detail, someone has placed three wires across that view, though by a change of position we are able to get the wires out of a photo.
There is signage in Japanese, with a photo, that seems to suggest the sun rises over the most important peak on the vernal equinox or some such, and quite possibly this open hall is used for a great ceremony at that time.
There is a pretty standard jinja with enclosed holiest of holies, which we circumambulated photoing. It is valued as a cultural asset because it retains its original form.
Finally we declared ourselves finished here. Then we saw a couple we had been running into at each temple today; they were descending from the woods above. Looking up we saw yet more buildings. Up we went. It turned out to be two small shrines and some memorial gravestones. This section of the compound seemed to have been neglected and was very overgrown and difficult to navigate safely.
At the top we found a gravel plaza with a big building off to the right, the Kaguraden Hall. It is set up to be some sort of stage and apparently still hosts musical events. The front wall is entirely open, the end walls closed, but the far long wall is carefully opened nearly the full width of the building and height of the wall to frame a view of the mountains and Shiodadaira. With insensitivity to detail, someone has placed three wires across that view, though by a change of position we are able to get the wires out of a photo.
There is signage in Japanese, with a photo, that seems to suggest the sun rises over the most important peak on the vernal equinox or some such, and quite possibly this open hall is used for a great ceremony at that time.
There is a pretty standard jinja with enclosed holiest of holies, which we circumambulated photoing. It is valued as a cultural asset because it retains its original form.
Finally we declared ourselves finished here. Then we saw a couple we had been running into at each temple today; they were descending from the woods above. Looking up we saw yet more buildings. Up we went. It turned out to be two small shrines and some memorial gravestones. This section of the compound seemed to have been neglected and was very overgrown and difficult to navigate safely.
翻译：我们再次穿过高大的树林，来到别所神社。这条路一开始还不错，但很快就变成了爬上陡峭的斜坡的累人路。不出所料，路的尽头又是一段石阶。
在山顶，我们发现了一个砾石广场，右边有一座大楼，即神乐殿。它被布置成某种舞台，似乎仍在举办音乐活动。前面的墙是完全开放的，末端的墙是封闭的，但远处的长墙被小心地打开，几乎与建筑物的整个宽度和墙的高度一样，以便将山脉和盐田平的景色框起来。由于对细节不敏感，有人在那片景色上放了三根电线，不过通过改变位置，我们能够从照片中去掉电线。
有一个日语标识和一张照片，似乎暗示太阳在春分或类似的时间从最重要的山峰升起，很可能这个开放的大厅当时用于举行盛大的仪式。
这里有一个相当标准的神社，里面有最神圣的圣所，我们绕着它转了一圈，一边拍照。它被看作是一种文化资产，因为它保留了原有的形式。
最后，我们宣布我们在这里结束了。然后我们看到了一对我们今天在每个寺庙都遇到过的夫妇；他们正从上面的树林里下来。抬头望去，我们看到了更多的建筑。我们上去了。原来是两个小神社和一些纪念墓碑。这部分院落似乎被忽视了，杂草丛生，很难安全通行。
在山顶，我们发现了一个砾石广场，右边有一座大楼，即神乐殿。它被布置成某种舞台，似乎仍在举办音乐活动。前面的墙是完全开放的，末端的墙是封闭的，但远处的长墙被小心地打开，几乎与建筑物的整个宽度和墙的高度一样，以便将山脉和盐田平的景色框起来。由于对细节不敏感，有人在那片景色上放了三根电线，不过通过改变位置，我们能够从照片中去掉电线。
有一个日语标识和一张照片，似乎暗示太阳在春分或类似的时间从最重要的山峰升起，很可能这个开放的大厅当时用于举行盛大的仪式。
这里有一个相当标准的神社，里面有最神圣的圣所，我们绕着它转了一圈，一边拍照。它被看作是一种文化资产，因为它保留了原有的形式。
最后，我们宣布我们在这里结束了。然后我们看到了一对我们今天在每个寺庙都遇到过的夫妇；他们正从上面的树林里下来。抬头望去，我们看到了更多的建筑。我们上去了。原来是两个小神社和一些纪念墓碑。这部分院落似乎被忽视了，杂草丛生，很难安全通行。
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